London-based writer, covering emergent themes within digital culture and artistic practices.

I have contributed to a-n, Instant Loveland Doggerland, Imperica, Rhizome Saturation Point, Sluice, SculptorVox and this is tomorrow.

I was part of the a-n Writer Development Programme 2017-18.

:: Selected Writing ::

External links

:: Catalogue Essays ::

A horizon that only offers disarray, James Irwin: The Edge (2018), Skelf, online project space
As We Enter Pixelated Ecologies, Andrew Benson: Under the Creosote (2017), Space in Between, London, curated by James Irwin
Copyright / Copyleft, Sluice Art Fair (2015)
generator.txt, Generator (2015), curated by Saturation Point, Kaleidoscope Gallery, Kent
>>> Beyond the Algorithm >>> Towards the Infinite>>> // Reconnecting the Corporeal, From Centre (2015), curated by Saturation Point & Slate Projects, London

:: Features and Interviews::

Laura Davidson Writes on Susanne Norregard Nielsen (2018), Instant Loveland
Alternative art education looks to the future as AltMFA launches new publication (2018), a-n
X+(-X)=0 (2017), SculptorVox: The Geometry of Nothing
Interview with James Irwin (2015), Saturation Point
Interview with Antonio Roberts (2015), Saturation Point
Virtual Personal Assistants: Of Louise, Anne and the Hollow Woman (2015), Imperica
Cy Twombly's Social Media Death Package (2014), Imperica
Tethered to the Barbican (2014), The Peripatetic Studio
Steve Roggenbuck Artist Profile (2013), Rhizome
London Data and Art Hackathon (2012), Rhizome
Scenes from the London 3D Printshow (2012), Rhizome
Response to Khoros (2011), COPY // unfold
Blowing in the Wind (2011), Visible Tracks, Arts Admin
Philippe Parreno and the Choreographic Object (2011), 12-Pages, Movement Issue

:: Etc ::

Sluice_talks: Ten minutes on... Ellen Ullman, Close to the Machine: Technophilia and Its Discontents (2016)
Panelist: Copyright / Copyleft, Sluice Art Fair, London (2015)
Editorial Fellowship, Rhizome (2013)
getDialogue, Hack the Barbican, Barbican Centre (2013)
Snow Is Falling: Algorithms in Digital Art, Queen Mary University (2013)

:: Reviews ::

Glasgow International 2018: Nadia Myre: Code-Switching and Other Works; Georgia Horgan, Saturday – an audio guide (2018), a-n
On Language and Marking Time : Matt Magee, Eagle Gallery (2016), Saturation Point
The Workers, Standpoint (2016), Doggerland
Manfred Mohr, Artificiata II, Carroll / Fletcher (2016), Saturation Point
Yto Barrada, Faux Guide, PACE (2015), this is tomorrow
The Pleasure of the Text, Campoli Presti (2015), this is tomorrow
David Conroy, Seventeen (2015), this is tomorrow
Frederik De Wilde: NanoBlck-Sqr#1, Carroll-Fletcher (2014), Saturation Point
Low Animal Spirits, Banner Repeater (2014), this is tomorrow
Journal, ICA (2014), this is tomorrow
Xavier Poultney: Metarelics Vol.II, Space in Between (2014), this is tomorrow
Pre-Owned: Looks Good Man, Cell Projects (2014), this is tomorrow
David Korty: Have / Had, Sadie Coles HQ (2013), this is tomorrow
Yuri Pattison: Travelling Through Layers (2013), Rhizome
Richard Sides: the omega point just ate his brains, Carlos / Ishikawa (2013), this is tomorrow
Konsortium: Vorchsprung Durch Technik, Tenderpixel (2013), this is tomorrow
Thomson and Craighead: Never Odd or Even, Carroll / Fletcher (2013), a-n interface

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